Stephanie Radok   Artists | News | Contact | Email

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Heather Burness, Stephanie Radok

6 -23 May, 2009

 


Stephanie Radok

EDUCATION
2002
1985
1976
MA South Australian School of Art, University of South Australia
BA Canberra School of Art, ACT
BA University of Adelaide, SA

SOLO EXHIBITIONS

2006 
2005 

2004 

2003


2002 
1999 
1998 
1996 
1992 
1987 
1986
what we bring with us, Watson Place Gallery, Melbourne, Vic
Lost Books, Barr Smith Library, University of Adelaide, Adelaide, SA
Early Glass, Greenaway Art Gallery, Adelaide, SA
Brightness falls from the air, N Gallery, South Australian School of Art, SA 
Shalom, Nexus Window, Adelaide, SA
The Weight of Words, South Australian Museum
Recent work, Main Street Gallery, Adelaide, SA
 Migration and local knowledge, Gabriel Gallery, Melbourne, Victoria
Talking about country, Adelaide Botanic Gardens, Adelaide, SA
Her native tongue, Gallery Spain, Contemporary Art Centre, Adelaide, SA
Translation, Window Project, University of South Australia Art Museum, Adelaide
In side out, Greenaway Art Gallery, Adelaide, SA
Symbiotic Series, Greenaway Art Gallery, Adelaide, SA
The Black Mountain Tower Project, Telecom Tower, Canberra, ACT
The Garden of Earthly Delights, Bitumen River Gallery, Canberra, ACT

SELECTED GROUP EXHIBITIONS and PROJECTS

2006 

2006 
2005 
2004 


2003 

2002 

2001 


2000 


1999 
1998 
1996 
1995 
1994
Out of site, Lounge Gallery, South Australian School of Art, Adelaide, SA
Lexicon, Gallery@City Library, Melbourne, Victoria
1st Libris Awards, Mackay Artspace, QLD
This and Other Worlds: Contemporary Australian Drawing, National Gallery of Victoria
Open Borders, Red Dot Gallery, McLaren Vale, SA
Drawing today, Central Gallery, Adelaide, SA
Location, location, location, Domain Temporary Public Art Project, Canberra, ACT
ab origin: chalk drawing, BUILT Commission, temporary public art project, Adelaide Festival
Centre, Adelaide
Immigrant garden: chalk drawing, Art Gallery of South Australia courtyard, Adelaide, SA
The Immigrant's Garden, Artspace, Adelaide Festival Centre, Adelaide, SA
Palimpsest #4, Mildura Arts Centre, VIC
Winterbodies: seven installations at the Adelaide Showgrounds, Adelaide, SA
Leaf, 220 Hindley Street, Adelaide, SA
Palimpsest #3, Mildura Arts Centre, VIC
reading matter, Top Floor Gallery, Adelaide, SA
walking on water, 220 Hindley Street, Adelaide, SA
Palimpsest #2, Mildura Arts Centre, VIC
Dog's Breakfast, ANCAA, Canberra, ACT
Meander, North Adelaide School of Art, SA
Bathurst Purchase Prize, Bathurst Art Gallery, NSW
Home is where the Heart is, Artspace, Adelaide Festival Centre, SA

COLLECTIONS
National Gallery of Australia, ACT
National Gallery of Victoria, VIC
Flinders University Art Museum
Warnambool Art Gallery, VIC
Australian Taxation Office, SA

RESIDENCIES
2004
Artist in residence, South Australian School of Art

BIBLIOGRAPHY
Melinda Rankin, 'Confluence', Artlink, Vol 26, No. 4, 2006.
Nicholas Jose, 'What we bring with us', catalogue essay, Watson Place Gallery, July, 2006.
'Translation', Artlink, Vol. 25, No.3, 2005.
John Neylon, 'Adelaide as a cousin of Pompeii', The Adelaide Review, June, 2005
Stephanie Britton, 'borders opened to closed minds', The Adelaide Review, November 26, 2004.
John Neylon, Open Borders, catalogue essay, Red Spot Gallery, 2004.
Margot Osborne, Drawing today, catalogue essay, Central Gallery, 2004.
Ian North, 'Bold: Stephanie Radok's paintings at the Museum of Economic Botany', 
catalogue essay, Migration and local knowledge, Gabriel Gallery, Melbourne, 2003.
Paul Downton, 'Built', Artlink Vol. 23, No. 4, 2003.
John Neylon, 'SALA Festival - down by the riversides', The Adelaide Review, September 2003.
Maria Bilske, 'Faith in relics', Broadsheet, Vol. 30, No. 3, 2001.
Cath Kenneally, 'Winterbodies', Artlink, Vol. 21, No. 3, 2001.
John Neylon, 'Winterbodies', The Adelaide Review, July 2001.
Tim Lloyd, 'Cold grounds for show', The Advertiser, June 2001.
John Neylon, 'Collegiate', The Adelaide Review, September 2000. 
John Neylon, 'reading matter', The Adelaide Review, July 2000.
Cath Kenneally, 'seeing a plant, being a plant', Artlink, Vol. 17, No 1, 1997.
John Neylon, 'familiar and disturbing', The Adelaide Review, February 1993.
Sasha Grishin, 'naïve joy in landscape', The Canberra Times, May 10, 1986.
Sonia Barron, 'DYO printing', The Canberra Times, 28 November, 1982


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