Marion Bitting, Alison Alder and Biddy Wodidj holding
Alison's son Tom at Palumpa airstrip in 1993
Alison Alder and Peggy Napangardi Jones at the opening of
Nyinkka Nyunyu Art & Culture Centre in Tennant Creek in 2003
Cutting History 2008/2009
paper cuts from screen printed paper
approx 3.5 metres by 2 metres
Read about the Cutting History exhibition
Alison Alder is currently on a Residency, Centre for Contemporary Printmaking, Norwalk USA
and has won the Alice Prize, Araluen Centre, Alice Springs, NT
EDUCATION | |
2007 | Master of Fine Arts (Research), Monash University |
2002 | Graduate Diploma Visual Arts, Monash University |
1980 | Diploma of Visual Arts, Canberra School of Art |
SOLO EXHIBITIONS | |
2010 | Cutting History: Australian Story, Kala Art Institute Project Space, Berkeley, USA |
2009 | Cutting History, Helen Maxwell Gallery, ACT |
2009 | Carcass, Helen Maxwell Gallery, ACT |
2007 | Outback, Helen Maxwell Gallery, ACT |
Out there and Outback, Switchback Gallery, Monash University, Vic | |
2004 | Drink, Helen Maxwell Gallery, ACT |
2000 | Road to Somewhere, Helen Maxwell Gallery, ACT |
1998 | Kujurra Mampaly Nyirrila, with Peggy Jones, Araluen Centre, NT |
1997 | Kujurra Mampaly Nyirrila, with Peggy Jones, aGOG and Telegraph Stn, Tennant Creek NT |
1995 | Florals, aGOG, ACT |
1991 | A Country Show, aGOG, ACT |
SELECTED GROUP EXHIBITIONS | |
2010 | Alice Prize, Araluen Centre, Alice Springs, NT |
2009 | Making it New: Focus on Contemporary Australian Art, Museum of Contemporary Art, Sydney |
2009 | Paper Cuts, Araluen Centre, NT |
2009 | In Residence, Megalo Print Studio + Gallery, Canberra, ACT |
2008 | Artroom5, Adelaide, SA |
2008 | New Social Commentary 08, Warrnambool Art Gallery. Victoria |
2008 | Alice Prize, Araluen Centre, NT |
2007 | Myself by Myself, Helen Maxwell Gallery, ACT |
Nuclear Matters, Powerhouse Museum, NSW | |
2006 | Alice Prize, Araluen Centre, NT |
2004 | Megalo 25 X 25, travelling through regional galleries |
2003 | Without Classification, John Curtin Gallery, John Curtin Uni, WA |
2000 | Triptych, Helen Maxwell Gallery, ACT |
1996 | Great Lengths, Araluen Centre, NT |
1995 | Out of Line, State Library of NSW |
1993 | Australian Poster Art, National Gallery of Australia, ACT |
1992 | The Lie of the Land, Powerhouse Museum, NSW |
1990 | Now We Are Ten, Redback Graphix Retrospective, Tin Sheds Gallery NSW & touring regional galleries |
1988 | Right Here Right Now, Tin Sheds Gallery NSW and Touring |
1987 | Shocking Diversity, Print Council of Australia and touring |
1986 | Redback Retrospective, Wollongong City Gallery, NSW |
1985 | Working Art, Art Gallery of NSW |
1982 | Canberra School of Art Staff Exhibition, School of Art Gallery, ACT |
The All Australia Poster Show, George Paton Gallery, Melbourne | |
Australian Art of the Last Ten Years, Australian National Gallery | |
COLLECTIONS | |
National Gallery of Australia | |
Art Gallery of NSW | |
Art Gallery of WA | |
Australian War Memorial, ACT | |
Australian National Library, ACT | |
Wollongong City Gallery, NSW | |
Art Gallery of South Australia | |
Queensland Art Gallery | |
NSW State Library | |
Kerry Stokes Collection WA | |
Powerhouse Museum, NSW | |
Wollongong University, NSW | |
John Curtin University, WA | |
ACT Legislative Assembly | |
Old Parliament House, ACT | |
ACT Library | |
Australian Institute of Aboriginal and Torres Strait Islander Studies, ACT | |
Megalo Print Studio, Canberra, ACT | |
Centre for Political Graphics, Los Angeles, USA | |
Araluen Centre, Alice Springs, Northern Territory | |
Cruthers Collection of Women’s Art, University of Western Australia | |
Canberra Museum & Art Gallery | |
Wagga Wagga Regional Gallery | |
PUBLICATIONS | |
McDonald,J. Stitch in Time for the Imagination, Sydney Morning Herald, 10-11 October 2009 pp14-15 | |
Morrow, C. Making it New: Focus on Australian Contemporary Art, Museum of Contemporary Art, Sydney 2009 | |
Grishin, S. Beautiful but Disturbing Critique, Canberra Times, 25 August, 2009 | |
Christen, K. Aboriginal Business: Alliances in a Remote Australian Town. School for Advanced Research Press, Santa Fe, New Mexico, 2009 | |
Nainby, B. New Social Commentary 08, Artlink, Vol 28, No 4, 2008 | |
Zagala, A. Redback Graphix, National Gallery of Australia, Canberra 2008 | |
Wallace, C. Clean, orderly and laminex coloured. Griffith Review No 18 2008 | |
Ryan, J. Colour Power, National Gallery of Victoria, Melbourne, 2003 | |
Zagala, A. Redback Graphix. Art on View, NGA. Spring 2005 | |
Nugent, M. Putting in the Colour, Jukurrpa Books, NT | |
Wright, F. The Art Centre Story, Desart. | |
Tregenza, E. Kujurra Mampaly Nyirrila, Julalikari Council, 1997 | |
Grishin, S. Australian Printmaking, Craftsman House | |
McQuiston, L. Graphic Agitation, Social and Political Graphics since the 60s. Phaidon | |
Barkley, G. Multiplicity. Museum of Contemporary Art, Sydney, 2006 | |
Church, J. Imprint, Print Council of Australia, 1990 | |
Butler, R. Poster Art in Australia, National Gallery of Australia | |
Butler, R. and Stephen, A. Now We Are Ten, Redback Graphix 1998 | |
Stephen, A. The Lie of the Land. Powerhouse Museum, Sydney | |
Ewington, J. Shocking Diversity. Print Council of Australia, 1987 | |
AWARDS | |
2010 | Residency, Centre for Contemporary Printmaking, Norwalk USA Alice Prize, winner, Araluen Centre, Alice Springs, NT |
2009 | artsACT Project Grant |
2008 | Artist in Residence, Megalo Print Studio, Canberra |
2007 | Vice Chancellors Commendation for Masters Thesis Excellence, Monash University |
2006 | Monash University Postgraduate Academic Merit Scholarship |
2004/05 | Australian Institute of Aboriginal and Torres Strait Islander Studies Research Grant |
1996/97 | Australia Council for the Arts, International Year of Tolerance Fellowship |
1997 | ArtsNT Artists Grant |
1987 | Australia Council for the Arts, Community Arts Board Fellowship, |
1984/85 | Australia Council for the Arts, Trainee-Artist-in-the-Community |