Death Drive 2009 scraperboard 15 x 41 cm
Coral Sea 2009 scraperboard 15 x 41 cm
Born 1967, Fremantle, Western Australia. Lives and works in Perth, Western Australia | |
SOLO EXHIBITIONS & TWO PERSON EXHIBITIONS | |
2009 | Sunshine, Cocktails, Chicken Wings & Trampolines, Turner Galleries, Perth, Australia |
Pure Gut Feeling, Dianne Tanzer Gallery + Projects, Melbourne, Australia | |
2008 | Falling From Earth, Dianne Tanzer Gallery + Projects, Melbourne, Australia |
2007 | End of the Earth, Conical Inc, Melbourne, Australia |
Cause I See the Light Surrounding You So Don’t Be Afraid, Turner Galleries, Perth, Australia | |
2006 | Backwater, Holmes à Court Gallery, East Perth, Australia |
2004 | Scattered Order, Kaskadenkondensator, Basel, Switzerlan |
Matthew Hunt & Kate McMillan, Frontstore, Basel, Switzerland | |
2001 | Perch, Imperial Slacks Gallery, Sydney, Australia |
Blank, The Verge Gallery, Northbridge, Perth, Australia | |
Civil Savages, West Space, Melbourne, Australia | |
2000 | CORE, Perth Institute of Contemporary Arts, Australia |
Supply & Demand, The Verge Gallery, Northbridge, Perth, Australia | |
Hedge, (with Kate McMillan), Rubyayre Gallery, Sydney, Australia | |
1999 | AXIOM, (with Paul Hunt), Fremantle Arts Centre, Perth, Australia |
1998 | Art For Us, The Verge Gallery, Northbridge, Perth, Australia |
Grey Matter(s), Perth Institute of Contemporary Arts, Australia | |
SELECT GROUP EXHIBITIONS | |
2010 | Melbourne Art Fair, Feature Artist, Turner Galleries stand, Royal Exhibition Building, Melbourne |
PICA Salon, Perth Institute of Contemporary Arts, Australia | |
Take Five Screen Project, Northbridge Piazza, Perth International Arts Festival (Acquittal Report with Robert Cook) | |
White Hot, Dianne Tanzer Gallery + Projects, Melbourne, Australia | |
2009 | Making It New: Focus on Contemporary Australian Art, Curated by Glenn Barkley, Museum of Contemporary Art, Sydney, Australia |
Persuasion Equation, Curated by Reuben Keehan, Melissa Keys and Peter McKay, Linden Centre for Contemporary | |
2008 | Linden 1968, Curated by Hannah Matthews & Ben Riding, Linden Contemporary Arts Centre, Melbourne |
SILVER –Artrage 25, Curated by Marcus Canning & Andrew Gaynor, Perth Institute of Contemporary Arts, Australia | |
PEEP, Curated by John Stringer (& Gary Dufour), Art Gallery of Western Australia | |
The Bon Scott Project, Curated by Jasmin Stephens, The Fremantle Arts Centre, Australia | |
Show Me Your World, Curated by Hannah Mathews, Gitte Weise Gallery, Berlin, Germany | |
FONT, Curated by Thelma John, Perth Central TAFE Gallery, Perth, Australia | |
2007 | Old Skool – (Never Lose That Feeling), Curated by Hannah Mathews & Robert Cook, Perth Institute of Contemporary Arts, Australia |
PEEP, Curated by John Stringer, TarraWarra Museum of Art, Victoria, Australia | |
In Every Dream Home A Heartbreak, Curated by Sophie O’Brien – SCA Galleries, University of Sydney | |
Apropos, Human Rights in Art, Curated by Romy Sedman, Human Rights Arts & Film Festival, The Bus Gallery, | |
2006 | We Know Who We Are, Octopus 6, Curated by Zara Stanhope, Gertrude St Contemporary Art Space, Melbourne |
and Gippsland Art Gallery, Sale, Victoria | |
2005 | Mix Tape, Curated By Robert Cook & Jenepher Duncan, The Art Gallery of Western Australia |
Space To Place, Curated by Marco Marcon, Perth Institute of Contemporary Arts (touring Australian venues) | |
2004 | Portes Ouvertes, IAAB Studios, Basel, Switzerland |
Regionale 5, Kunsthaus Baselland, Basel, Switzerland | |
Drift, Curated by Bec Dean, Perth Institute of Contemporary Arts Australia | |
Cordello, Healy, Hunt, Pluta, Curated by Marco Marcon, International Art Space Kellerberrin Australia | |
2003 | Time Lapse, Curated by Heather Web, Breadbox Gallery, Northbridge, Perth, Australia |
FLUX, Uncertain States: new art from Western Australia, Curated by John Barrett-Lennard, Lawrence Wilson Art Gallery, University of Western Australia | |
2002/3 | Urban Anxiety, Old ANZ Midland Bank, Perth, WA / Breadbox Gallery, Perth / 1a Space, Hong Kong |
2002 | Mnemotech, Curated by Bec Dean, Perth Institute of Contemporary Arts; Hotel 6151(Vacancy), The Rhodes Hotel, South Perth |
Moving Collections, Curated by Roger McDonald, AIT, Tokyo, Govett-Brewster Art Gallery, New Zealand | |
2001 | Do It, Curated by Hans-Ulrich Obrist, Sophie O’Brien & Robert Cook, Perth International Arts Festival, Lawrence Wilson Art Gallery, UWA |
1999 | Directors' Choice, Greenhill Galleries, Perth WA, (Alan Dodge); CONTACT - Unstable Fields Of Power, Curtin University of Technology University / Institut Teknologi Bandung Online Artists-Exchange Project, Galeri Soemardja - ITB - Indonesia, John Curtin Gallery. WA |
Uncensored, The Moores Building, Fremantle | |
1998 | The Curtin Collection:1968-98, The John Curtin Gallery, Perth; |
Old Customs House Exhibition #10, The Moores Building, | |
1997 | 21 Years On, Galerie Dusseldorf, Perth |
1996 | Punctuation, Curated by John Barrett-Lennard, Erica Underwood Gallery, Curtin University |
1995 | Hatched, National Graduate Show, Perth Institute of Contemporary Art |
AWARDS, COMMISSIONS, PROJECTS AND GRANTS | |
2009 | Mid-Career Fellowship, ARTSWA |
2007 | Art Flight, ARTSWA |
2006 | Backwater Monograph Published |
2005 | Co Founder of the Acquittal Report ‘zine’ with Dr Robert Cook |
New Work Grant, Australia Council for the Arts | |
Project Grant, ARTSWA | |
2004 | Basel Residency, Switzerland, ARTSWA / AFWA |
Residency Program (Space to Place), International Art Space Kellerberrin, Australia | |
3x3 Urban Art Project, Forrest Place, City of Perth | |
2001 | Art Flight, ARTSWA |
2000 | Art Flight, ARTSWA |
1999 | New Work Grant, The Australia Council for the Arts |
Gunnery Studio Residency, Sydney, ARTSWA / AFWA | |
1997 | Project Grant, ARTSWA |
1996 | Invitational Print Commission, The John Curtin Gallery, |
1995 | First Prize, The Fifth Annual W.A. Printmakers Association Competition |
1994 | Joint Winner, Visual Arts Foundation of WA Drawing Prize |
RECENT SELECT BIBLIOGRAPHY | |
2010 | Something Smells Around Here, self published interview, text by Dr Robert Cook, Harry Hummerston, Matthew Hunt, Clare Lewis, Hannah Mathews, Kate McMillan, Kevin Robertson & Mark Stewart |
Perth International Arts Festival, Visual Arts Guide, Margaret Moore | |
2009 | Making It New: Focus on Contemporary Australian Art, exhibition catalogue pp55, Claire Lewis, Museum of Contemporary Art, Sydney |
Persuasion Equation, exhibition catalogue, Reuben Keehan, Melissa Keys and Peter McKay Linden centre for Contemporary Arts | |
2007 | Peep, exhibition catalogue, John Stringer, Kerry Stokes Collection |
Old Skool, exhibition catalogue pp26, Hannah Matthews & Robert Cook, PICA | |
Artlink Volume 27 #4, exhibition review, Paola Anselmi | |
Artlink Volume 27 #3, article, Hannah Matthews & Robert Cook | |
Australian Art Collector, Issue 40, April-June 2007, pp 174-175, Undiscovered, Hannah Matthews | |
2006 | Backwater, hard cover book, English/German pp187, text by Dr Robert Cook & Matthew Hunt, Sabine Schaschl & John Barrett-Lennard |
We Know Who We Are, Octopus 6 exhibition catalogue pp24, Zara Stanhope, Gertrude Contemporary Art Spaces | |
Art in Australia, Spring 2006, Vol 44 # 1, Review, pp116 Art Nationwide, Gary Dufour | |
2005 | Mix Tape exhibition catalogue pp34, Dr Robert Cook & Jenepher Duncan, Art Gallery of Western Australia |
COLLECTIONS | |
Art Gallery of Western Australia, Artbank, Curtin University of Technology, Murdoch University, City of Perth, Kerry Stokes Collection |